Thursday, June 30, 2011

Archaic Technologies

My college had architectural drawings for some of its oldest buildings - drawn in ink with a ruling pen on linen.  When I started in architecture, construction drawings were hand drafted using lead on a 100% rag paper called vellum.  Shortly after - briefly - it was ink on Mylar, a frosted clear plastic.  Now computer drafting is back to ink, but on bond paper.

Reproducing drawings was, in olden days, a matter of tracing by hand onto translucent paper.  (In the late 1960s a school kid had to trace illustrations for a report - no copiers yet.)  Blueprints came, then blue-lines, then sepias and black-line prints... all Diazo prints made with chemically treated papers rolled through a printer that fumigated them with ammonia.  (Boy! did it smell and did a papercut ever sting!)  In the Mylar days, some drawings were made on multiple layers and assembled with pin-bars (to hold them registered with each other), then printed on a flat-bed printer.  The intern who printed these got to throw their body on the flat-bed to try to keep it flat and keep air bubbles out.  Now the computer's ink-jet plotter makes as many copies as you like.  

What comes next?
public domain image of an architect at his drafting board

Wednesday, June 29, 2011

Authorial, um, Authority?

As all this blogging may have hinted (foreshadowing!) that I now and then write.  Non fiction, like Alice.  Now and then I even commit fiction.  But as any of you, Gentle readers, who have tried your hand at fiction know... authors are supposed to be authorities within their own books - all that "omniscient narration" - but still characters fight back.

My favorite steam-punk web-comic recently had a post about that: 2D Goggles OR The Thrilling Adventures of Lovelace and Babbage.  (Based on real 19th C persons, mixing science, math, mayhem, and monkeys.)

image borrowed from 2D Goggles by Sydney Padua


The great detective novelist Dorothy Sayers also talks about the free-will of characters in her Mind of the Maker.  She believed in authorial authority.  "Too much attention should not be paid to those writers who say (holding one the while with a fixed and hypnotic gaze): 'I don't really invent the plot, you know - I just let the characters come into my mind and let them take charge of it.'  Writers who work this way do not, as a matter of brutal fact, usually produce very good books."  Read one of hers.  Murder Must Advertise is a great Golden Age mystery, starring her detective Lord Peter Wimsey.

Tuesday, June 28, 2011

Cool Links

Check out links to all sorts of mostly design-y subjects at my Squidoo page: Parsnip Pie.

Concision

Advice to design by from Strunk and White's "The Little Book"  The Elements of Style:


"Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all his sentences short, or that he avoid all detail and treat his subjects only in outline, but that every word tell."


This dictum holds as true in visual design as in writing.

Monday, June 27, 2011

SNIPPET # 22

It's been a while, but here's a new excerpt from my theater set design book Alice Through the Proscenium, from the "Design Elements" chapter: 

Line – A strong horizon line, maybe, or the stripes of columns or floor.  Lines are straight or curved, vertical, horizontal, or diagonal.  Every edge of the set creates a line you need to understand.  Composition.  One thing to beware is a diagonal across the stage which pulls the audience’s eyes back to… what?  A nasty sucking void?  Or the family refrigerator-shrine?
                                 
Pattern – That black and white checkered floor, that plaid sofa.  Control it.  Strong pattern distracts.  Or becomes a joke as in The Invisible Circus, where the performer wore a tapestry coat and blended with the tapestry wall… until he moved.  Play games with pattern: establish a black and white grid like a checkered marble floor, then turn a few squares into puzzle pieces or ducks.

Sunday, June 26, 2011

Butchering Shakespeare

Looking for a speech from Othello, I happened upon a website (can't find it now) that "translates" Shakespearian into English.  A sample follows, below:


CASSIO (in Bardish): Reputation! Reputation! Reputation!  Oh I have lost my reputation!  I have lost the immortal part of myself, and what remains is bestial.

Hard to, you know, get the gist of that, isn't it?  I mean, what's the fuss about?

CASSIO (new and improved):  My reputation!  My reputation!  I've lost my reputation, the longest-living and truest part of myself!  Everything in me is just animal-like.

Oy.

Saturday, June 25, 2011

Lunch 'N Learn on Blogging etc.

Rainmaker Advertising held an interesting lunch seminar recently on how to create web-content.  (Like this.)

The secrets of SEO and Cloud words and Tags and other arcana were demystified.  It seems the way to Attract Traffic and Clicks and Stuff... is it just flat write things worth reading.  No escape from hard work, huh?  Along with the resident Rainmaker expert was a very interesting speaker, Joseph Crisalli, who is a writer of historical novels and a blogger at StalkingtheBelleEpoque.com.  For me, it was really useful to hear an author talking about using the internet to promote his books.  The old Author's Platform... all those blogs, articles, interviews on Oprah needed to shill a few books.  More work than writing the book, frankly.

Oh!  BTW  I have now sold my first copy of Alice Through the Proscenium overseas!  My book, you know.  In Great Britain.  It sounds so swanky: "I have foreign sale."  It'll sound all the better when I sell another:
"Foreign Sales!"  Should have made that one book a two-fer deal, huh?