Rewatched The King's Speech - which holds up to a second viewing well. (See my original notes on it HERE.)
But that was late yesterday, wedged into a pretty busy Tech Weekend for Five Women.
Among the funny skills a set designer needs - in theaters without the budget or staff of big regional or university stages - you need to be able to fake upholstery. On stage you can get away with crudities like staples or hot glue that would never do in a living room, but work still needs to be neat and must stand up to harder use than at home. So yesterday I wrestled with creating a smooth seat cushion on a rhomboid shaped window seat (padded with three separate pieces of foam)... where actresses sit, stand, and wriggle too much. I also re-covered the dressing table's chair (keeping fabric stripes very straight) and created two seat cushions for borrowed chairs. To protect their cane seats, the cushions have plywood under the padding, making upholstery a matter of stapling, not sewing. Much easier. To finish these blue moire satin cushions off, I stapled a blue-n-yellow rope trim round the edges and added a pair of blue ropes with tassels at the rear corners, as if to tie the cushions in place. Très élégant. Upholstery, drapery, wallpapering, painting... the set designer is Jack-of-all-decorating-trades.
Today I am finding, copying, cutting, matting, and framing art. Tomorrow I'll hang it. And set dress. Busy!
Showing posts with label upholstery. Show all posts
Showing posts with label upholstery. Show all posts
Sunday, June 12, 2011
Friday, April 29, 2011
Set Design Day
The last few days have been full of hands-on set design stuff.
Wednesday I was at Broadway Our Way's theater, painting giant circles on a curved wall, using the old trick of chalk tied on a string taped to the wall: pivot that chalk and - voila! - perfect(ish) circle. I pogo-ed up and down with the lift to reach the tops of the circles. Painting them took time as did setting locations for hanging a few more cut-out versions, which meant sitting way back in the auditorium shouting, "Six inches toward centerstage!" to the poor guy then in the lift, as he tied knots.
Yesterday my Apprentice came over. We looked over his latest project and upholstered a bench seat for Marvin's Room and traced out flamingos on bright pink felt. (I love the weird jobs theater hands out.) We also made an emergency bead-curtain-run. After Broadway's TD searched much of town, the beads came from a funny Mom-n-Pop dollar store near me. I had to take what they had in stock, rather than my first choice color, but we'll spray paint 'em, so that's okay.
Wednesday I was at Broadway Our Way's theater, painting giant circles on a curved wall, using the old trick of chalk tied on a string taped to the wall: pivot that chalk and - voila! - perfect(ish) circle. I pogo-ed up and down with the lift to reach the tops of the circles. Painting them took time as did setting locations for hanging a few more cut-out versions, which meant sitting way back in the auditorium shouting, "Six inches toward centerstage!" to the poor guy then in the lift, as he tied knots.
Yesterday my Apprentice came over. We looked over his latest project and upholstered a bench seat for Marvin's Room and traced out flamingos on bright pink felt. (I love the weird jobs theater hands out.) We also made an emergency bead-curtain-run. After Broadway's TD searched much of town, the beads came from a funny Mom-n-Pop dollar store near me. I had to take what they had in stock, rather than my first choice color, but we'll spray paint 'em, so that's okay.
flamingo image by Audubon, public domain I believe
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