The Ghost's Afoot!

 Well, I'm back in town and back in the theater.

While I was away the Stage West production of Sherlock Holmes and the Adventure of the Ghost Machine was delayed a week... so I was able to watch the Designer Run yesterday.

Tomorrow I'll be hitting the discount fabric stores along Harry Hines looking for fabric for a seance tablecloth.

Nice to be home!

Public Domain image of a seance circa 1920

Wikimedia

What's Up?

                                        

 First off, I got to see Kitchen Dog Theater's production of The Grown-Ups last night at Samuel Grand Park.  Really liked it!  Very topical.  Read more about it HERE.

Second, I've been off traveling to California and back, but now that I AM back, theater is going full steam ahead: I'm reprising last year's Sherlock set for Stage West's The Adventure of Sherlock Holmes and the Fallen Souffle and designing a set at Pocket Sandwich Theatre for the farce, Tom, Dick, and Harry.

Here are a few pics of Sherlock last year - this year will see only modest changes, mostly to furnishings or set dressing... plus adding a chandelier that I need to find!

Getting busy!

The Book is Back!

After some misadventure, I finally got my hands on the proof copy of the second edition of my theater set design book, Alice Through the Proscenium.  (Catching the FedEx guy just as he was about to leave the package on the door mat - In The Rain.)

The cover for the upcoming second edition - copyrighted, obviously

Woohoo!

It's not bad.  Of course there's something funny about the spine, several images need higher rez scans, and one needs to be redrawn to have more legible lettering, but on the whole pretty good.  It has a nice heft.  And the cover is so so glossy.

Coming soon...

Meanwhile, this Spring's Apprenticeship Program has begun at Stage West Theatre.   Yesterday we met for the first time... a very promising and accomplished group!  I'm looking forward to this program.  More to come...

Oops - It's Been How Long?

Since I last blogged?

What can I say?  It was a busy Fall and I didn't blog.  Even once.

But instead of a super-fund-sized data dump of what I did do instead, let's just jump to today as I prep for the start of Stage West Theatre's Apprenticeship Program.  Tomorrow I meet my set design students.  Pretty exciting!

Along with get-to-know-yous and handing off the script for their next day-long design charrette, we'll also visit the set for Stage West's next production, Margorie Prime.  All I know about this at the moment is that it's designed by Stage West's talented Allen Dean, who previously painted the drops for my To The Breeches!  (Which I actually DID blog about HERE.)  And I just found a cool little post showing him actually painting them HERE.

The upcoming design charrette?

Based on a darkish musical version of Little Red Riding Hood that I totally made up.

A gotta-be Public Domain image from an ancient version of the story

So... what even IS a design charrette?

Definitions on the internet mostly stress the collaborative nature it can have, when disparate members of a design team and the client all brainstorm together.  Usually there's a passing mention of the pressure-cooker ambiance of this affair: one room, a single limited chunk of time, and the creation of a real product at the end of that time.

I like that version.

But this ain't that.  Because my first architectural design professor went to the E'cole des Beaux-Artes - in an ancient age when charrettes involved a tumbril-like cart that carried away your (individual) work to its doom - I think of charrettes as the pressure-cooker part.  A short intense effort in design.  We'll certainly work on collaboration.  Theater is very collaborative!  But this day will be about learning to be fast and free-wheeling.  To learn to trust your gut.  

This first design will be developed farther - may even be discarded later - but those first reactions to the text and first design impulses are uniquely valuable.  

Not to mention the survival value of speed!

HERE is a link to a discussion of last year's Three Little Pigs charrette.

Nice News Article

Well, This happened!  A nice article about Stage West's apprenticeship program in the Fort Worth Report.  The original article is HERE and I've copied the gist of it to this blog (in case of future internet glitchiness) with my own not-so-spiffy photos.

Stage West Theatre’s apprenticeship program sets stage for next generation

by Marcheta Fornoff, Fort Worth Report
January 9, 2023

Clare Floyd DeVries has designed real-life fire stations, doctor’s offices and a string of small-town convenience stores, but for the better part of 20 years she’s crafted full environments from scratch in her role as one of the metroplex’s go-to set designers.

Now the architect-turned-set-designer is helping build the next generation of theater professionals as a mentor for Stage West Theatre’s apprenticeship program.

The idea for the program grew out of the COVID-19 shutdown and a desire to “double down” on diversity, equity and inclusion efforts following the wave of Black Lives Matter protests, said Dana Schultes, the theater’s executive producer.

“We made a commitment to ourselves and to the larger theater community that we would work harder to raise our standards so that more and more people from diverse communities were participating in the creation of shows,” she said.

In order to deliver on that promise, they started a paid apprenticeship program to help unclog the talent pipeline.

The program has separate tracks for separate disciplines. This year, there are three sets of three students matched with a mentor in either sound, costume or scenic design.

Mentors are tasked with helping students understand the full scope of what they do for a show, from pre-production meetings through completion and all of the various steps in between.  

“One of the things that I noticed about my own educational experience is that when I matriculated, I was not sure what to do next, and it was really intimidating,” Schultes said. “The ultimate goal is for these young students to not only learn from the best, but then to have opportunities to then do their own shows with the mentors watching after them, to say, ‘I'm here for you if you have any questions.’” 

Aaron Knowles Dias, education director for the theater, took the reins for the program this year. Finding mentors who are at the top of their field and great teachers was a priority for Knowles Dias, and she said Floyd DeVries is the perfect example of someone who embodies both qualities.

“She's really a master of bringing other people into that artistic process so that they can access it themselves,” she said. “The artistic process, even for artists themselves, is very mysterious … But she's got that awareness of the process and has a really great vocabulary for sharing it with others. And it's just wonderful.”

Clare Floyd DeVries (right) speaks with apprentices Sierra Lesniak (left), Brooks Davenport (center) and Katie Cooley (right) on the set of the recent production “Handle with Care.” (Marcheta Fornoff | Fort Worth Report)

Katie Cooley, who is studying theater design and technology at the University of Texas at Arlington, arrived at the theater early and had the chance to go over tips for perspective drawing before the first session officially began.

Over the course of the morning and after the other students arrived, Floyd DeVries shared several valuable lessons about what goes into creating a believable set: from problem solving practical needs — like creating pieces that can easily be manipulated or moved — to the more theoretical but equally important questions about using design to match the tone of a play.

For example, several plays might be set in a similar time or place, but the design will vary drastically depending on the intended occupants. 

“Whose [Victorian] study is it? Is it Sherlock Holmes? Is it Dr. Jekyll? The White Rabbit (from “Alice in Wonderland”)? Professor Higgins from “My Fair Lady”? Those rooms are all rather different because they have such different personalities,” she explained. “So you have to become a bit of a psychologist.”  

Sierra Lesniak, a student at Tarrant County College, plans to be a director someday, but is still deciding whether she wants to work in film or in stage plays. In either medium, she said it will be helpful for her to have a background in scenic design and learn strategies for communicating her visions to others.

“Working on a show, you break it down from what's necessary … And then once you have your foundation, you build into the artistic side,” she said. “So getting to learn the technicalities from the perspective of a scenic designer … to have that under my belt as a director … I'm very excited because the more that I can understand everybody's positions as a director, I think would build me up to be better at my job.”

Fellow apprentice Brooks Davenport is a theater design and technology major student at Texas Christian University. He is excited about the opportunity to plug into the local theater scene and get experience outside of school.

“I feel like this is a space where I think I can have a lot of creative freedom,” he said. “I don't know how to explain it, but I feel like there's a difference in being at school and in a classroom and being in a professional environment. I feel like I will be able to explore and experiment a lot designing here.”

Each of the different disciplines for the apprenticeship program run on their own schedule, but all three tracks will come together in May for a celebration, where the students will each have the opportunity to share what they learned. The program enables growth for both the theater and the students, Knowles Dias, the education coordinator, said.

“We are investing in these artists-in-development now so that they will invest in us tomorrow,” she said. “The way we see it, by bringing them into the Stage West fold and supporting them and nourishing them here, giving them great training and sending them off into the world to find their way and grow in experience, skill and success, we are empowering them to be the torch bearers for local theater down the road.”

Marcheta Fornoff covers the arts for the Fort Worth Report. Contact her at marcheta.fornoff@fortworthreport.org or on twitter twitter.com/MarchetaFornoff" 

At the Fort Worth Report, news decisions are made independently of our board members and financial supporters. 

This article first appeared on Fort Worth Report and is republished here under a Creative Commons license.

Minecraft Theater Design Class!

 In crazy news: Stage West Theatre and I are offering a Minecraft based scenic design class!

Mining (Theater) Craft

Build a theater!  Design and build scenery!  In the blocky world of Minecraft enjoy all the fun and drama of IRL theater design: the joy of group effort and the satisfaction of individual creativity.  Play with 3 dimensional volume, levels, lights, color, and explore the possibilities of lava in performance... wait... what? 

A class for pre-teens and teens. You’ll need access to Minecraft Java Version (PC based) and just enough experience to place blocks (easy!) and to walk without falling in lava (easy! because in “Creative” mode you can fly).  You’ll need Discord for in-game conversation and messaging.  Completely online, this class will meet Thursdays 7-9, with access to StageWestWorld between times to keep on building.

Professional architect, award-winning set designer, and let’s-not-say-obsessed Minecraft builder, Clare Floyd DeVries is the guide as you master this sandbox game, mining its potential for theatrical creativity.  You'll need access to Minecraft Java version (PC based) and just enough experience to place blocks (easy!) and to walk without falling into lava (easy because in "Creative" mode you can fly!).  You'll need Discord for in-game conversation and messaging.

Learn more HERE at Stage West Education