Today's the big day for my Stage West theater set design students - a full day design charrette for a made-up-by-me show:
Pretty sure this is out of copyright as it was published in 1918
Three Little Pigs –
the Musical (the Outline)
Not a kid
version. (Less Disney, more Brothers
Grimm, with cheeky references to Into the
Woods, The Wizard of Oz, and This Old House.) The danger and violence feel real and the
ending – cooking and eating the Wolf – is triumph, retribution and tragedy.
Imagine
being a Pig... This is home-invasion! A monster
beseiges a disjointed family that has to come together as true brothers to save
themselves. Imagine being a Wolf... with
Wife and hungry Pups to feed at home.
Set
in the timeless ever-present of fairytales or hunger and homelessness.
Scene 1 –
The Woods
The
Wolf’s place. Dark. Dangerous.
Hungry.
(Throughout
the play the Wolf narrates –cynical, amusing, ruthless. Sometimes he is joined by a chorus of Woodland Creatures, an ensemble of cute(ish)
dancing / acrobatic critters: Deer, Raccoon, Rabbit, Squirrel, Owl, and that
obnoxious Happiness Bluebird. They’re all
terrified of the Wolf - except for Owl, because it takes a predator to
understand a predator. While Squirrel
and Rabbit don’t trust Owl.
TheWoodlanders also sing as Wolf’s Wife and his litter of Pups.)
Scene 2 – A
Road Through the Woods
An
inhospitable No-Pigs’-Land. The Pigs
have been kicked out of their nest, er, sty by their Mother Pig, who can’t
stand the brothers’ arguing, jealousy, and laziness a moment longer. Also there’s no food. So she kicked them out into a hostile and
hungry world.
Scene 3 –
Traveling (Dance tribute to Oz ending with throwing
apples.)
Scene 4 – A
Clearing at the Edge of the Woods. There are apple trees, remnants of an old
orchard, and a feral vegetable garden that still yields a few carrots and
potatoes and such. The tumbled ruins of
the old farmstead are almost back to woodland, but there are bricks and sticks
and, if the meadow grass is cut with that rusty sythe, there could be straw.
Scene 5 –
Same Clearing, building is started.
(Big dance number, a flavor of Seven
Brides for Seven Brothers.)
Scene 6 –
Same Clearing, the House of Straw is complete, then blown away.
(The
hit single “Huff n’ Puff” in its first iteration, repeated for each house.)
Scene 7 –
Same Clearing, the House of Sticks is complete, then blown away
Scene 8 –
Same Clearing, The House of Bricks is complete and smoke comes from
its brick chimney. First Wolf attack.
Scene 9 –
Same Clearing, Full Moon. (Wolf’s and Mrs. Wolf’s big duet.)
Scene 10 –
House of Bricks Exterior/Interior, roaring fire and boiling soup pot. Second Wolf attack.
Scene 11 – Same
Interior,
Dinner! (Stupendous dance number)
(It’s
macabre, but the Wolf, who narrated throughout the story, narrates again now –
his talking head on a plate on the feasting table. He sings that, without him, Wolf’s Wife will have to send the Pups out
into the world... hungry. The play ends
when a Pig puts an apple in Wolf’s mouth to shut him up.)
That's the synopsis. The students will try to come up with designs that solve the problems it presents in a black box theater. (Notice the big one yet? That transition from Woods to Clearing?) (Well, and also the built-in problem of building and blowing-away piggie houses on stage in the audience's full view.)
So, the idea of a charrette is to sit down and thrash out an initial design. I've read definitions online that define it as including input from others (not just the designer) and, in my experience, this can be true. (Architect Charles Moore, a noted and unusually collaborative collaborator once responded to citizen phone calls!) But to me, the all-at-a-single-sitting is the defining aspect. It's a way to force-march through the design process. And the time pressure and presence of others also struggling with the problem that adds oomph! to your thinking.
The students are about a 1/2 hour into it - just starting to grasp the difficulties. We'll see what they've got in 5 1/2 more hours. (5 1/2 hours minus pizza time.)
A little extra tidbit: I discovered that the name "charrette" comes from the French name for the cart that rolled around the Ecole de Beaux Arts, collecting student architects' work. The work would be taken away to be judged... just like the tumbril taking prisoners to the guillotine, or so my old French professor explained.
No tumbril today!
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