Public domain photos mashed.
Showing posts with label KMUW radio. Show all posts
Showing posts with label KMUW radio. Show all posts
Wednesday, March 21, 2012
Art Turtles
Check in on our art correspondent in Wichita, Kansas... HERE on public radio station KMUW for a fun discussion of pop culture turtles and Renaissance artists.
Thursday, March 15, 2012
Drafting Day
I understand that in Charles and Ray Eames' drafting studio no radio was allowed. They thought it would distract their draftsmen from the task at hand.
Now, I, myself, find drafting kinda dull and the time passes so slooowly...
Crank up the radio!
Now, I, myself, find drafting kinda dull and the time passes so slooowly...
Crank up the radio!
Public domain image - Wikipedia
For more on drafting, see my Set Design Process page HERE.
Thursday, September 22, 2011
Designer's Life - Finishing and Reading the omens
There's a tendency for a theater set to Never Be Done!
I'm off to Fort Worth again today to - I hope - finish finishing the Fantasticks set that I thought I finished Monday. This time it's to age and tweak the big "Fantasticks" banner. Sigh. This is pretty normal. Like most art projects, a theater show is never so much "finished" as "you open anyway."
The Fantasticks opens Saturday! (Come see the New! Improved! Banner... and the show too.)
Besides, any day when the staid NPR station wakes you with Kurt Cobain in your left ear is not a day for peaceful rest-itude, or so the omens suggest. (I liked the song, it just startled me is all.) Speaking of public radio: here's another couple art critiques from Our Reporter in the Midwest.
I'm off to Fort Worth again today to - I hope - finish finishing the Fantasticks set that I thought I finished Monday. This time it's to age and tweak the big "Fantasticks" banner. Sigh. This is pretty normal. Like most art projects, a theater show is never so much "finished" as "you open anyway."
The Fantasticks opens Saturday! (Come see the New! Improved! Banner... and the show too.)
Image borrowed from Circle Theatre
Besides, any day when the staid NPR station wakes you with Kurt Cobain in your left ear is not a day for peaceful rest-itude, or so the omens suggest. (I liked the song, it just startled me is all.) Speaking of public radio: here's another couple art critiques from Our Reporter in the Midwest.
Wednesday, August 24, 2011
Another Posting from Wichita's Art Scene
Our roving arts reporter, Lindsey Herkommer, talks on radio KMUW about Midwestern photography - LINK.
This photo, by Linda Robinson reminds me of '30s paintings and WPA murals of the sort that featured The Heroic Worker (as blogged here)... but softened by time and weather and rust. Somewhat melancholy.
This photo, by Linda Robinson reminds me of '30s paintings and WPA murals of the sort that featured The Heroic Worker (as blogged here)... but softened by time and weather and rust. Somewhat melancholy.
Photo courtesy of Linda Robinson, borrowed from KMUW radio
I've always found the shapes of oil pumps fascinating - especially when working, heads bobbing up and down. They remind me of the Hammering Man kinesthetic sculptures by Jonathan Borofsky - we have one at the Nasher Sculpture Center.
(That or, if I'm feeling low-brow, they remind me of Drinky-Birds. Sorry, but Drinky-Birds are cool.)
Sunday, August 21, 2011
Introducing a New Art Critic
The National Public Radio station in Wichita, Kansas - KMUW - has a new art critic. (Am I the only one who reads "art critic" but hears Monty Python saying, "Aaaaaaaut Critik"?)
Here's a thoughtful piece by Lindsey Herkommer on two Midwestern American Gothics: the first, the iconic painting by Grant Wood, the second, an important photo by Gordon Parks.
Here's a thoughtful piece by Lindsey Herkommer on two Midwestern American Gothics: the first, the iconic painting by Grant Wood, the second, an important photo by Gordon Parks.
American Gothic by Grant Wood - image borrowed from KMUW radio
There's something really compelling about Wood's image of this farmer and his daughter. I love many paintings from the 1930s - Hopper's slanting sunlight on hillsides, WPA murals of noble factory workers, Texas dust-bowl paintings of bony cattle, wire fences, cotton boles... but this double portrait has presence that seems out of its period.
It feels a little like a Renaissance portrait, reminding me of Jan van Eyck's Arnolfini Marriage. I think it's the formal, self-conscious poses of the subjects: the men's severity and vertical gestures and the way the women incline their heads, deferential to the men, but staring off into a private distance.
The Arnolfini Marriage by Jan van Eyck
Hard to imagine two painted couples with more different lives or times.
Subscribe to:
Posts (Atom)







