Showing posts with label model making. Show all posts
Showing posts with label model making. Show all posts

Tuesday, July 31, 2012

Fun Stuff and Colleagues

I had a lively meeting today with a fellow set designer, talking about our various projects: I showed sketches for Irma Vep (upcoming at WaterTower Theater); Joseph showed sketches for Man of La Mancha; I had tiny architectural models to play with; he had photos of an enormous model for the dream sequence of a student film.  Fun.

In the course of our discussion, we found some interesting online material to share here...  work by artist Emily Allchurch that references the imaginary prisons of Piranesi. Fascinating work that I hadn't run across before.  HERE

Pianesi at the Metropolitan Museum of Art - See More!

Related links: Joseph's theater design website and my own Man of la Mancha and its earlier flirtation with Piranesi.  You can see my version HERE. (Click at the left on the show's name.)


Oh! and in another online discovery, I found that D Magazine readers voted WaterTower's The Diary of Anne Frank (which set I designed) as their Readers' Pick for best theatrical production.  Pretty great news!

It's really really helpful to talk with a fellow designer.  They learn from your triumphs and mistakes and vice versa - and you can cheer and/or commiserate each other as needed.  Sometimes only another designer understands.  Having a few friendly colleagues is good both for the work and for morale,  a real comfort and help... sometimes as an extra painter or adviser, sometimes as a sanity break!

Go make friends with a colleague.

Friday, August 12, 2011

From Model to Full Sized Set

Here are a couple photos for the set of The Mikado at Garland Civic Theatre, designed by my apprentice? protege'?  mentoree?  Joseph Cummings.

Interesting to see the leap in scale from model to full-sized set and how well the design makes that leap.


The handsome photos are by  www.marcelomedia.com 

Saturday, April 23, 2011

Mystery Model

I've had very glue-y fingers lately, first with Shakespearian trees, then with Broadway teeny tiny sticks.