These trials beset the dramatist also, and he has yet another set of ingredients to cope with - the actors and actresses - and they appear to side sometimes with the characters they represent, sometimes with the play as a whole, and more often as the mortal enemies of both. The weight they throw is incalculable, and how any work of art survives their arrival I do not understand...
...but, in passing, is it not extraordinary that plays on the stage are often better than they are in the study, and that the introduction of a bunch of rather ambitious and nervous men and women should add anything to our understanding of Shakespeare and Chekhov?
Anton Chekhov reads The Seagull - Wikipedia
