Showing posts with label Ben Aaronovitch. Show all posts
Showing posts with label Ben Aaronovitch. Show all posts

Wednesday, March 18, 2020

Siege - Day #2

The coronavirus is the big thing - the papers (both actual paper paper and e-) are full of it.

The Dallas County emergency order is in today's paper and there's something truly frightening to see in smudgy black and white where - in too much haste to retype the order? - the forbidding of gatherings of "500 persons or more" has been crossed out and amended to read "fifty."  Then the entire paragraph explaining that this does not apply to, for instance, office buildings has also been XXXed out.  (Which makes a certain architectural office I know that's refusing to let its employees work remote all the more maddening.  It's unsafe.)

So here I am, typing, self-isolating like a good girl.  

Yesterday  I did briefly shop for food - and toilet paper, ha! - and model building supplies.  Today I'll drop a couple pay checks at the bank only because I'm out for a doctor's appointment that, more and more, seems like a bad idea.  But theater can be pretty hard on knees.  In my case it's due to standing on ladders and stepping up and down and up and down onto stages raised juuuust a little too high for my short legs - some tendons or ligaments or something have stretched painfully once too often.  For a few years it's been an occasional problem, now it's sore almost daily.  Last week talking to a doctor about it seemed sensible... but today?

I also started the taxes, beginning with the tangle of my professional receipts.  Always depressing.  (Both the taxes and the tangle.)  

On the brighter side, I'm rereading Ben Aaronovitch's new Rivers of London novel, False Value.  It just came out last month after a long wait and it's good... maybe a bit dry though, sort of abstract, compared to others in the series, I think that's because he's setting up the next Big Bad for upcoming books and readers just can't have as much emotion invested yet as had accumulated in the earlier part of the series.  Also, the world of computing is just not as visceral as the first, shocking encounters with magic and Punch or the Faceless Man.  I still highly recommend his work, just be sure to start with Rivers of London.

I'm thinking of next rereading the new Stephen King, The Institute.  (I race through books the first time and enjoy catching more nuance on a second read).  But I'm looking around for a new novel - new to me anyway - preferably a series.  Have you noticed the usefulness of a really gripping, page-turning, long series when times are difficult?  I still have fondness for the Hunger Games books, simply because they engrossed me when I really needed distraction from a family health scare.  There's a line in another Stephen King book (Misery) that describes a writer "typing until he made a hole in the page he could fall into."  Well, a reader can certainly find the same escape hatch through the page, into the right book.  

(That quote is paraphrased probably.)

I've done another pretty sketch for The Silver Chain:


Castle Wyvern view - copyright retained by Clare Floyd DeVries and J. Trask 

I'm still looking at this one... it may get revised.  Perhaps it's a bit too cheerful and sunlit?  Then again, that's all the more contrast for the later, darker adventures.

At home we marked the first day of coronavirus seclusion (well, my first day because certain stupid offices are still open, endangering others) by  a tastey long-prep-and-cooking dinner and drinking wee little Coronitas.

When stocking up include beer.



Sunday, January 6, 2013

Films and Books

It's been holiday film-n-book season here, so I have a few to catch you up on:

FILM

Le Miserables, the Movie:  I'm in the possibly unique position of not having seen the stage version of this famous musical first.  (Sad, but true.)  And it's been a hundred years since I read the book.

So I was able to watch and listen without preconceived ideas.

I was impressed with Hugh Jackman as Jean Valjean and with Anne Hathaway as Fantine.  I liked the portrayals of Cosette and Marius... waffled a bit about Russell Crowe as Inspector Javert.  Now, I am no musician, so please take my comments with whole wheelbarrow loads of salt, but it seemed obvious that Crowe is just not the singer the others are.  I did, however, warm up to his Javert as the movie went on.  I really enjoyed Jackman, though I did feel - notably in the song where he prays for Marius to survive the barricade to return to Cosette - that some songs made his voice sound kinda thin and strained - no idea if that's the fault of voice or music.  Fantine's big song, however, just devastated me.

Other roles...  Sacha Baron Cohen was fine, but will someone please take Helena Bonham Carter's fright wig away?  She's played that tousle-haired harridan once too often.

The story of Le Miserables is affecting.  Seen at the end of a gray winter day, my companion found it all too depressing, but I enjoyed the experience.

The Silver Linings Playbook:  This film, which has been out for a while now, played to a packed audience.  Word of mouth is wonderful.  This isn't especially my kind of movie (I was afraid it would turn into a mental-health-issue-of-the-week TV special), but I warmed to the characters and, by the end, really liked the movie.   Parts were funny and all was true to life.  Performances were lovely.

Cover illustration from Wikipedia

BOOKS

I took author Lois McMaster Bujold's recommendation for a good book... and am I ever glad I did!

The Rivers of London by Ben Aaronovitch (retitled Midnight Riot in the U.S. for no reason) is a terrific urban-fantasy novel.  It starts as a young London police officer interrogates a ghost... and grows into a great set-piece at the Covent Garden opera.  The author creates a wonderfully quirky mythology for the ancient city that reminds me a little of Neil Gaiman's Neverwhere.  (I have no higher praise).  But where Gaiman's novel is darkly humorous, Aaronovitch's is humorous and sometimes dark.  The book's hero himself is aware of the J.K. Rowlingness and Terry Pratchettness of his material and - with the reader - has fun with that.

I ran out (well, virtually ran, I actually urgently e-purchased, downloaded, and e-gobbled) both this book's sequel Moon Over Soho and its sequel Whispers Underground.  Both novels are individual (i.e. not copy-cattish of the first), both satisfying.  Highly recommended.